The New York Philharmonic officially opened it's 175th season Wednesday night with a concert which, while not exactly boundary-pushing, served as a reminder of the rich legacy of this oldest of American orchestras. Beforehand, the Phil played this video emphasizing the orchestra's identity as a uniquely New York institution, with NYC-entric performances throughout the season such as last week's Manhattan. (There was also brief mention of the Phil's "New World Initiative" - named after Dvořák's 9th symphony, which the Phil commissioned back in 1893 - but at the moment it consists of little more than an open calendar of performances by NYC-based musicians.)
As noted by Philharmonic president Matthew Van Besien, this season is also Alan Gilbert's eighth and last as music director. During his time in NYC, Gilbert may not have displayed the most magnetic podium presence, but he has done more to promote new music and innovative programming at the Phil than any director since Bernstein or Boulez. Gilbert's final season is no different, as he leads seven World, U.S., and New York Premieres, as well as music by Ligeti, John Adams, and Esa-Pekka Salonen. Gilbert will close the season with a concert that explores how music and musicians can effect positive change and harmony in the world.
Gala concerts aren't meant to challenge their well-heeled audience, but there was one relatively new work on this concert: John Corigliano's STOMP, originally written in 2010 for solo violin. It was typical of the new music played on most concert programs: short, playful, mostly melodic. The "stomp" in the title refers to Corigliano's instruction to the players to tap or stomp on certain beats, much like you'll find in country or jazz music. Or, any music, really.