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Summer 2018 Music Preview

Celebrate Brooklyn
Hard to believe it's already June, and while this year's Gov Ball has already come and gone, the music is just starting to move to the great outdoors. Below is a preview of some of our favorites - check out our Summertime list on the right for updates throughout the summer. 

Celebrate Brooklyn: (June 5-August 11) NYC's best outdoor music venue celebrates it's 40th year with another stellar lineup that kicks off with Chicago rapper (and Microsoft shill) Common on 6/5. Other free shows include Aimee Mann (6/21), Branford Marsalis (6/29), Kronos Quartet (7/14), and a stellar closing weekend with Godspeed YOU! Black Emperor (8/10) and The Breeders with Speedy Ortiz (8/11). Benefit shows this year include a killer double bill with Grizzly Bear and Spoon (6/20), The Decemberists with M. Ward (6/13), and Courtney Barnett with Julien Baker and Vagabon (7/25). 

Northside Festival (June 7-10): Northside is now a decade old, and the clubs will be jammed across Williamsburg and Bushwick with the latest in cutting edge music, alongside stalwarts such as Caspian, Deerhoof, and Liz Phair. Sunday afternoon brings a Block Party to Bedford Ave, with bands and vendors running all the way to Metropolitan Ave.

NY Philharmonic Concerts in the Parks (June 12-17): What were you doing when you were 11 years old? Well, if you're Jordan Millar and Camryn Cowan, you're having your music played by the New York Philharmonic at this year's parks concerts, courtesy of the Phil's Very Young Composers program. (They also play music by Bernstein, Saint-Saens, and Rimsky-Korsakov.) The Phil visits all five boroughs next week with conductor James Gaffigan; details here

SummerStage (June 2-September 27): This sprawling series returns with a wide spectrum of music performed in parks across all five boroughs, most of it free. Highlights include a Canada Day celebration headlined by Broken Social Scene (7/1), Afrobeat scion Femi Kuti and Positive Force (7/29), a New Orleans fest with Trombone Shorty, Galactic, and the Preservation Hall Jazz Band and (8/8), and Angelique Kidjo covering The Talking Heads (9/27).

Make Music New York (June 21): Celebrate the longest day of the year with this citywide musical happening, with performances on street corners, plazas and parks from sun-up to sundown.

Warm Up at MoMA PS1 (June 30-September 1): NYC's best tea dance enters its third decade at MoMA PS1, with an architectural installation featuring large-scale, interactive mirrors - and hopefully some misters. Tickets include museum admission. (LI City residents get in for free.)

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Governor's Ball 2018 - Friday Recap

by Katie Zepf

Gov Ball 2018 - 1
The eighth edition of the Governors Ball Music Festival kicked off on Friday, drawing a capacity crowd once again to Randall’s Island. Launched in 2011 by Founders Entertainment, the festival draws in roughly 150,000 patrons every year, making it one of the most anticipated and popular music festivals in NYC. In addition to the music, which plays out across four stages, there are food trucks from across the city,
including Brooklyn-based ice cream shop Van Leeuwen, local burger joint Bareburger, and the popular John’s Juice, which sells fruit juices served served straight from the shell (think watermelons, pineapples, etc.) Gov Ball also displays countless murals painted by New York City artists, and there's even a mini golf course if you wish to take a break from all of the music madness.

The first act I saw on Friday was Sir Sly, an indie rock trio from Los Angeles appearing on the Honda Stage. With lead singer Landon Jacobs on guitar, Jason Suwito on keyboard, and Hayden Coplen on drums, the band delivered a short set of songs from their first two releases, You Haunt Me and Don’t You Worry, Honey. Jacobs used a vocoder that allowed him to sing with different added effects, though he also sang with his natural voice. Playing to a large, yet intimate crowd, the band played in front of a projected anime show, with Jacobs dancing wildly throughout the stage. Sir Sly finished with their two biggest hits from Don’t You Worry, Honey: “High” and “&Run.”

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A Music Center for the 21st Century: Miami's New World Symphony

New World Symphony 2018 - 8
MIAMI BEACH, FL - When most folks plan their vacation to South Beach, Florida, they likely dream of days spent lounging around pools in stylish art deco hotels, or sunning along the long, wide strip of ocean beach. At night, they might grab dinner al fresco, then dress to the nines in an attempt to gain entry to some trendy hotspot where they can while away the hours dancing, prancing, or just lying around. When it's 80 degrees here and 30° back home, there are worse ways to spend a long weekend.

But, for those who think evenings in Miami Beach are confined to bass beats and overpriced cocktails, consider the New World Symphony, which turned thirty years old this year. I've been a longtime fan of this intrepid youth orchestra/academy, made up of 87 talented young musicians from across the U.S. and, increasingly, from around the world. Like Tanglewood, Aspen, and other post-conservatory programs, most come here to enhance their already-formidable skills in the hope of landing a position with a major orchestra. But instead of just one or two summers, at New World the fellows are given three years of all-expense-paid tuition, room and board - all just a stone's throw from the beach. Not a bad way to spend your post-college years. 

In prior visits, my experience has been limited to performances in the sparkling, Frank Gehry-designed New World Center, which opened in 2011 and remains the best small concert hall in America (second only to Gehry's Disney Hall in L.A.) But, after spending three days in South Beach sitting in on rehearsals, discussions, and performances, I've come to realize that what appears onstage at the New World Center on any given night is just one facet of a sophisticated, technologically advanced organization that over three decades has evolved from humble beginnings into a premier training ground for the musicians of the 21st century. 

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Julianna Barwick and ModernMedieval at the Ecstatic Music Festival

by Steven Pisano

20180419-DSC09597(All photos by Steven Pisano.)

Since 2011, the Ecstatic Music Festival at Merkin Concert Hall has presented collaborative concerts by performers and composers in the alternative and classical music scenes. On Thursday, Julianna Barwick and ModernMedieval teamed up for a night of ethereally beautiful vocal music.

Barwick revealed in her on-stage interview with WNYC's John Schaefer that she came to her style of music after several failed attempts at traditional pop music, which left her bored and unfulfilled until somebody introduced her to a loop pedal. Actual words are besides the point in Barwick's gorgeous vocals, which are all about sound. At one point, Schaefer asked her about Meredith Monk, whom Barwick said she admired but who she only came to know after she had been singing her own way for quite some time. (Monk is in her mid 70s, Barwick in her late 30s.) Barwick's singing is dreamy, crystalline, and pure--as you might expect from the daughter of a Louisiana pastor who started singing in church--but it is not at all spacey or annoyingly precious like many New Age singers. There is something deeply sacred about the music, even in its secular-ness.

Barwick's set ended with "The Harbinger," one of the standout tracks from her 2013 album Nepenthe. Barwick recounted how she has performed this majestic song dozens of times with different groups of back-up singers, ranging from a group of 10-yr-old boys to a group of teenage girls, each time the performance taking on a slightly different character. At the same time, she said that her loop pedal has allowed her to perform it many times alone. (One can only imagine the "Hallelujah Chorus" performed with such a gadget.)

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