Electronic Feed

Winter Jazzfest 2018: Friday Night Marathon

By Dan Lehner and Pete Matthews

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New York is nothing if not a land of contrasts, so it was jarring if not totally surprising to slog through a warmer-than-usual rain storm on Friday’s Winter Jazzfest Marathon having just experienced a colder-than-usual near-sub-zero snowstorm only a week prior. However, New York is also full of tough natives and intrepid tourists, so no crowd was too deterred to pack and hop between the 11 venues (on the third of a record eight-day-long WJF) to see new configurations, old favorites and adventurous mixtures of the two on the first marathon night.    

Over at Zinc Bar, alto saxophonist Caleb Curtis was both riding and twisting a robust swing in trumpeter Josh Lawrence’s Color Theory, punctuating flowing melodic lines with wild zig-zags in unexpected directions at unexpected times. Propelled by drummer Anwar Marshall, bassist Luques Curtis and a rare Fender Rhodes/piano team of Zaccai Curtis and Orrin Evans, Lawrence’s beautiful and ambidextrous writing would alternate between gentle tippin’ and Blakeyesque group runs that would cluster around close harmony (sometimes on the same tune). One piece would have Lawrence and Curtis gently flicking specks of color on an orchestral canvas, then a faster one would show off Lawrence’s deftness as he carefully constructed, expanded and contracted melodic cells, all while never losing his mature, relaxed trumpet sound.

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Dawn of Midi and Mashrou' Leila at BRIC Celebrate Brooklyn!

Dawn of Midi - BRIC Celebrate Brooklyn - Feast of Music Jul 22  2017  8-06 PM
Those that braved the rain Saturday night at BRIC Celebrate Brooklyn! got to see a pair of acts that are pushing both musical and geographical boundaries. Lebanese rock outfit Mashrou' Leila sang about the politics of exclusion and racism in their home country with their hearts on their sleeves. They clearly have an adoring fan base, many of whom turned out in force to support, but with the lyrics all in Arabic and their music mostly one-dimensional, the impact was lost on me. 

Personally, I was fascinated by openers Dawn of Midi: three Indian-Americans - bassist Aakaash Israni, pianist Amino Belyamani and drummer Qasim Naqvi - who started playing together in L.A. 10 years ago, and now live in Brooklyn. Along the way, they've accumulated some pretty big fans, including Radiohead, who asked them to open for them during two shows at MSG last year. Dawn of Midi's setup is that of a standard jazz trio, but their sound is anything but: using only acoustic instruments, they mimicked the repetitive pulses and beats of electronic so effectively, a good part of the audience could be seen bobbing their heads to it. 

More pics on the photo page.


Morton Subotnick Performs "Silver Apples of the Moon" and "Crowds and Power" at the Lincoln Center Festival

Morton Subotnick - Lincoln Center Festival - Feast of Music Jul 21  2017  8-44 PMFor all those who think electronic music started with Frankie Knuckles in Chicago, or the Belleville Three in Detroit, a tutorial of sorts was provided by the Lincoln Center Festival this week, which invited pioneering electronic composer Morton Subotnick to perform his seminal work Silver Apples of the Moon on the occasion of its 50th anniversary. It might seem ironic to stage a work that was originally designed to be heard in the privacy of one's home, but Subotnick - like most musicians - has come to embrace the pleasures of live performance.

For this performance, Subotnick - now 84 - "revisited" the composition, updating his original Buchla Box (which he co-created with Don Buchla) with a hybrid Ableton-Buchla instrument that allowed for a mix of live and recorded electronics. The music - which was split into 8 channels - was strange and hallucinatory at first, then rhythmic and propulsive. Sitting alone at a table filled with wires and various control pads, Subotnick was in complete command of the proceedings, bringing to mind another electronic composer I caught in the autumn of his career

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Sufjan Stevens, Nico Muhly, Bryce Dessner and James McAlister Revive "Planetarium" at BRIC Celebrate Brooklyn!

Planetarium with Sufjan Sevens - BRIC Celebrate Brooklyn - Feast of Music Jul 18  2017 Jul 18  2017  9-14 PMWhen Sufjan Stevens, Nico Muhly, Bryce Dessner and James McAlister first performed their collaboration Planetarium at BAM in 2013, we were blown away by the experience, which seamlessly blended elements of classical, pop, rock, and electronics, accompanied by some pretty awesome visuals. As we said at the time:

"This was edgy rock and pop, and its straightforward presentation enabled it to breathe and communicate without being suffocated by mists of pretension. Lush harmonies melded together with a luxurious flow and were enhanced by the smoky projections on stage; you couldn’t help but be moved by the aural and visual spectacle."

Last month, Planetarium was finally released as an album, and to mark the occasion, Sufjan, Nico, Bryce and James brought their live show (sans lasers) back to NYC last night with a benefit concert at BRIC Celebrate Brooklyn. The standing room-only crowd was enthusiastic from the start, cheering wildly after the big numbers "Jupiter" and "Saturn." In between songs, Sufjan held sway like a made-for-TV astronomer while making numerous oblique references to the challenging times we live in, encouraging us to look to the stars to remind us that the universe is much bigger - and vastly more open - than we are. 

Watch a performance of "Mercury" from Monday's Late Show here. More pics below and on the photo page

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