Indie Feed

Summer 2018 Music Preview

Celebrate Brooklyn
Hard to believe it's already June, and while this year's Gov Ball has already come and gone, the music is just starting to move to the great outdoors. Below is a preview of some of our favorites - check out our Summertime list on the right for updates throughout the summer. 

Celebrate Brooklyn: (June 5-August 11) NYC's best outdoor music venue celebrates it's 40th year with another stellar lineup that kicks off with Chicago rapper (and Microsoft shill) Common on 6/5. Other free shows include Aimee Mann (6/21), Branford Marsalis (6/29), Kronos Quartet (7/14), and a stellar closing weekend with Godspeed YOU! Black Emperor (8/10) and The Breeders with Speedy Ortiz (8/11). Benefit shows this year include a killer double bill with Grizzly Bear and Spoon (6/20), The Decemberists with M. Ward (6/13), and Courtney Barnett with Julien Baker and Vagabon (7/25). 

Northside Festival (June 7-10): Northside is now a decade old, and the clubs will be jammed across Williamsburg and Bushwick with the latest in cutting edge music, alongside stalwarts such as Caspian, Deerhoof, and Liz Phair. Sunday afternoon brings a Block Party to Bedford Ave, with bands and vendors running all the way to Metropolitan Ave.

NY Philharmonic Concerts in the Parks (June 12-17): What were you doing when you were 11 years old? Well, if you're Jordan Millar and Camryn Cowan, you're having your music played by the New York Philharmonic at this year's parks concerts, courtesy of the Phil's Very Young Composers program. (They also play music by Bernstein, Saint-Saens, and Rimsky-Korsakov.) The Phil visits all five boroughs next week with conductor James Gaffigan; details here

SummerStage (June 2-September 27): This sprawling series returns with a wide spectrum of music performed in parks across all five boroughs, most of it free. Highlights include a Canada Day celebration headlined by Broken Social Scene (7/1), Afrobeat scion Femi Kuti and Positive Force (7/29), a New Orleans fest with Trombone Shorty, Galactic, and the Preservation Hall Jazz Band and (8/8), and Angelique Kidjo covering The Talking Heads (9/27).

Make Music New York (June 21): Celebrate the longest day of the year with this citywide musical happening, with performances on street corners, plazas and parks from sun-up to sundown.

Warm Up at MoMA PS1 (June 30-September 1): NYC's best tea dance enters its third decade at MoMA PS1, with an architectural installation featuring large-scale, interactive mirrors - and hopefully some misters. Tickets include museum admission. (LI City residents get in for free.)

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Governor's Ball 2018 - Friday Recap

by Katie Zepf

Gov Ball 2018 - 1
The eighth edition of the Governors Ball Music Festival kicked off on Friday, drawing a capacity crowd once again to Randall’s Island. Launched in 2011 by Founders Entertainment, the festival draws in roughly 150,000 patrons every year, making it one of the most anticipated and popular music festivals in NYC. In addition to the music, which plays out across four stages, there are food trucks from across the city,
including Brooklyn-based ice cream shop Van Leeuwen, local burger joint Bareburger, and the popular John’s Juice, which sells fruit juices served served straight from the shell (think watermelons, pineapples, etc.) Gov Ball also displays countless murals painted by New York City artists, and there's even a mini golf course if you wish to take a break from all of the music madness.

The first act I saw on Friday was Sir Sly, an indie rock trio from Los Angeles appearing on the Honda Stage. With lead singer Landon Jacobs on guitar, Jason Suwito on keyboard, and Hayden Coplen on drums, the band delivered a short set of songs from their first two releases, You Haunt Me and Don’t You Worry, Honey. Jacobs used a vocoder that allowed him to sing with different added effects, though he also sang with his natural voice. Playing to a large, yet intimate crowd, the band played in front of a projected anime show, with Jacobs dancing wildly throughout the stage. Sir Sly finished with their two biggest hits from Don’t You Worry, Honey: “High” and “&Run.”

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Winter Jazzfest: Wadada Leo Smith and Deerhoof, with Nicole Mitchell's Maroon Cloud

by Dan Lehner

Wadada Leo Smith and Deerhoof - Winter Jazzfest 2018It's often hard to see the forest for the trees at an event like Winter Jazzfest. WJF has set itself apart from other jazz festivals through its expansiveness, its large physical presence, and its commitment to inclusion and social justice. But, it can at times be difficult to know just what kind of person the festival is really for. There's no 100% definitive answer - any good jazz festival is pluralistic by nature - but last night's festival finale at Le Poisson Rouge might have given the closest indication.

The musical intersection of Bay Area experimental indie-pop veterans Deerhoof and Mississippi-born avant-garde jazz sound painter Wadada Leo Smith, in tandem with an audience who enthusiastically embraced both, felt like it belonged right at the heart of a festival that uses its energy to shatter both genre and generation boundaries and relentlessly asks the question, "What if?"

Deerhoof's sonic milieu regularly runs the gamut from riff-laden UK garage rock to aggressively wobbly free jazz - sometimes in the same 30 second span - and true to form, they blazed through a set of cheery, noisy, disorienting and catchy music with ease and gusto. The real interest, though, was where the band found common stylistic and improvisational ground with Smith. The most immediately apparent similarity is that Smith and Deerhoof had a knack for turning simple, even beautiful melodic lines into something more adventurous with a simple directional or stylistic turn. Smith's subtle strains and muted note rips would compliment the pinched harmonics and stuttering effects of Dietrich and Rodriguez's guitars, and he would complement their more droning moments with low, expressive trumpet tones.

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Winter Jazzfest: Saturday Night Marathon

 By Dan Lehner and Pete Matthews

Winter Jazzfest 2018 New School
Night two of the 2018 Winter Jazzfest Marathon began in the intimate fifth floor theater at The New School, where a crack team of trombonists were paying homage to the uniquely blithe and expressive spirit of Roswell Rudd. Art Baron honored Rudd's famously potent physical presence by "sanctifying" the room, facing each of the four walls and blessing them with little music segments, before launching into a sweet, genuine, plunger-and-pixie mute rendition of Ellington's "I Got it Bad". Brian Drye honored Rudd with his original "For Roswell", a gentle, folkish tune embellished with multiphonics and little mouth pops and swishes, ending with "Pannonica" (a nod to the Roswell Rudd/Steve Lacy recordings of Monk tunes). Josh Roseman's performance recalled some of his playing on his own "Treats for the Nightwalker", imbued with dubby wah's and hisses through a Harmon mute, and seemed to relate closely to Rudd's later work in the realm of world music.

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