Jazz Feed

"We Shall Not Be Moved" at the Apollo Theater

by Steven Pisano

"We Shall Not Be Moved" at the Apollo Theater(All photos by Steven Pisano.)

"We Shall Not Be Moved," which played at the Apollo Theater this week following its world premiere at Opera Philadelphia last month, is an urban opera that riffs on the history of the radical political group MOVE. Established in Philadelphia the early 1970s by John Africa (born Vincent Leaphart), MOVE is vividly remembered for several violent confrontations with the police - including a 1985 firefight that killed 11 MOVE members (including 5 children) and which destroyed over 60 houses.

Against this intensely violent background, composer Daniel Bernard Roumain, librettist Marc Bamuthi Joseph, and director Bill T. Jones have written a contemporary story of urban struggle. Five teenagers, who have veered in and out of trouble, find their school has been closed, so they squat in an abandoned house in West Philadelphia - which just so happens to be the former MOVE headquarters from the 1980s. The house is populated by peaceful ghosts dressed in gray sweatsuits who dance through the house and try to guide the teens.

But the teens have also caught the eye of Glenda, the local beat cop. She wonders why they are not in school during the day, and eventually their interactions escalate until one day the police officer accidentally discharges her gun and shoots one of the kids. The young people grab her gun, then hold her captive, not knowing exactly what to do now that everything has suddenly spun out of control.

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Kendrick Scott Oracle Plays The Jazz Standard

by Nick Stubblefield

KendrickScottOracleatJazzStandard

Kendrick Scott Oracle played to an intimate but enthusiastic crowd at the Jazz Standard last Wednesday. Scott, a well-known drummer from various outfits around NYC, shined brightest at the helm of his own group as he dazzled with originals and covers at a show peppered with poignancy.

The night commenced with a sincere, unhurried moment of tenderness when Scott dedicated the group's first tune, “Home,” to his native Houston, the Texas city ravaged by Hurricane Harvey only days before. The warm resonance from the upright bass, the breath of the saxophone, the crisp, twinkling highs on the piano, and the smooth phrasing of the jazz guitar enveloped the audience in a sonic hug. These clearly weren't guys who'd met that evening shedding scales at your local jazz jam – these were guys who had meticulously crafted the sound they wanted right from the group's inception. From a listener's perspective, that's tremendously rewarding. The opener was filled with modern, highly-accessible harmonies. While lead melodic instruments held long notes, Scott kept an insistent momentum, delicate but with confident rhythmic patterns underneath.

Up next, a fast swing piece composed by trombonist Delfeayo Marsalis. It was fun, filled to the brim with percussive punctuation, and a showcase for the group's versatility.  It was also the only straight-ahead swing tune of the night. That gave way to “Apollo,” a rich and lush composition in the group's signature style – clear, simple melodies atop frenetic rhythmic undercurrents.

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Dawn of Midi and Mashrou' Leila at BRIC Celebrate Brooklyn!

Dawn of Midi - BRIC Celebrate Brooklyn - Feast of Music Jul 22  2017  8-06 PM
Those that braved the rain Saturday night at BRIC Celebrate Brooklyn! got to see a pair of acts that are pushing both musical and geographical boundaries. Lebanese rock outfit Mashrou' Leila sang about the politics of exclusion and racism in their home country with their hearts on their sleeves. They clearly have an adoring fan base, many of whom turned out in force to support, but with the lyrics all in Arabic and their music mostly one-dimensional, the impact was lost on me. 

Personally, I was fascinated by openers Dawn of Midi: three Indian-Americans - bassist Aakaash Israni, pianist Amino Belyamani and drummer Qasim Naqvi - who started playing together in L.A. 10 years ago, and now live in Brooklyn. Along the way, they've accumulated some pretty big fans, including Radiohead, who asked them to open for them during two shows at MSG last year. Dawn of Midi's setup is that of a standard jazz trio, but their sound is anything but: using only acoustic instruments, they mimicked the repetitive pulses and beats of electronic so effectively, a good part of the audience could be seen bobbing their heads to it. 

More pics on the photo page.


NYO2 with Esperanza Spalding at Carnegie Hall

NY02 with Esperanza Spalding - Carnegie Hall - Feast of Music Jul 20  2017  8-13 PMFor five years now, the National Youth Orchestra of the United States of America (or NYO-USA for short) has been providing teenagers the opportunity to hone their music skills with professional musicians, culminating in a performance at Carnegie Hall and an international tour. Last year, Carnegie's Weill Music Institute expanded the initiative with a new program for even younger musicians, called NYO2. Made up of kids aged 14-17 from a diverse set of backgrounds - often from communities without classical music training opportunities - the fellows spent three weeks in residence at Purchase College in Westchester where they rehearsed with musicians from some of the top orchestras in the country, including more than a dozen from the Philadelphia Orchestra

The program culminated Thursday night with a performance at Carnegie Hall that featured the Philadelphia musicians playing alongside their younger counterparts. For the first part, they were joined onstage by the ebullient Esperanza Spalding, here playing electric bass. Spalding, who in her younger days was the concertmaster of her local community orchestra, performed several of her own compositions, along with a cover of Wayne Shorter's "Endangered Species", to which she added her own lyrics. In between songs, she gushed about how amazing the kids were in rehearsal, and tried her best to get the audience to start a dance party with the rocking "Good Lava" from last year's Emily's D+Evolution

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