Photo credit: Dario Acosta
The Richard Tucker Gala, arguably the most star-studded event of the American opera season, took place last Sunday at Carnegie Hall. The gala is a veritable barometer of the best singing in the opera world, and this year was no exception—headlining the program were prima donnas Joyce DiDonato, Anna Netrebko and Renée Fleming, in addition to the 2016 Richard Tucker Award winner Tamara Wilson.
Ms. Wilson easily proved her vocal mastery in her second selection, "Tu al cui sguardi onni possenti" from Verdi’s I due foscari. As she tossed off impossible roulades and cut through more than 100 instruments and choristers with pianissimo high notes, Wilson made Carnegie's bathtub-like acoustic cower under her vocal heft. Her other pieces were no less lovely—Wagner’s "Dich, teure Halle," a trio from Norma, and "Make Our Garden Grow" from Candide—each of which Ms. Wilson handled with finesse and command. She is a major new discovery for the opera world.
Wilson was in good company with reigning diva Netrebko, who was originally slated to sing a duet with her husband, tenor Yusif Eyvazov, until it was announced that Mr. Eyvazov would be unable to perform due to a broken foot. This turned out to be to the audience's benefit, as Ms. Netrebko added the verismo aria "Io son l’umile ancella" to the previously programmed "La mamma morta." Both pieces were riveting, conjuring images of the great Maria Callas and Renata Tebaldi, combining Callas’ vocal drama with Tebaldi’s luxurious sound. Especially breathtaking were the final floated phrases, complete with pitch-perfect octaves and a final ringing morrà.