by Steven Pisano
(All photographs by Steven Pisano.)
Shara Worden has done it again. Best known as the lead singer of My Brightest Diamond, Worden brought her new faux opera You Us We All last weekend to the BAM Harvey Theater. Based on the frivolous court masques of the seventeenth-century, You Us We All fuses ideals from the Baroque and the modern day, in a way that's both varied and eccentric.
The opera, which was directed by Andrew Ondrejcak, showed its quirky face from the time upon one’s entrance into the theater -- its narrative does not “begin,” but instead gives the feeling that it's already been happening and is only continuing for an audience to participate in. Its set is modest, having only a fairly vacant (but shiny) stage with lucite chairs placed in a disheveled manner, a screen with the words “Thee” and “Nd.” written on it, and a man in his underwear and a white ruff laying face down on the ground. (He is "Time", a humorous drunkard played by Carlos Soto.) Its futuristic appearance, characterized by a multitude of images on a display which resembled a Mac computer monitor, gives no hint to a specific location -- instead presenting the illusion of a place in which no time or space passes. Thus, location is less specific than metaphysical, a "place" in which all human emotion is centralized.
The five performers were meant to embody five ideals: Love (Martin Gerke), Death (Bernhard Landauer), Hope (Worden), Virtue (Helga Davis), and Time (Carlos Soto). But the names were mostly arbitrary. The songs each sang did little to illustrate his or her nature. The great delight of the show was Ms. Worden herself: her voice is a glorious and supple instrument that stimulates the pleasure center of the brain like an intravenous blast of endorphins. When she sang a series of coyly couched songs to pop icons such as Beyonce, Britney Spears, and Mariah Carey—eliciting simultaneous smiles and groans from the audience—there was nothing to be got from them, except mild amusement.