The pursuit of sonic bliss has driven Lesley Flanigan to be a ceaseless experimenter. Her background in sculpture is often referenced in the way she seems to give a physical form to sounds which she then shapes and bends to her will. So what is she up to now? A new experiment, naturally.
The release concert for her most recent album, Hedera (out this Thursday on Physical Editions ), at National Sawdust last Friday was compelling both both aurally and visually. As it goes for almost twenty minutes, the work explores dislocation in a variety of forms - the artistic space between journey and destination or perhaps purpose and perception. As with her previous work shaping the sonic world of speaker feedback, Hedera takes otherwise unremarkable moments and expands and amplifies them to a point where they become not only apparent but undeniable.