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Summer 2018 Music Preview

Celebrate Brooklyn
Hard to believe it's already June, and while this year's Gov Ball has already come and gone, the music is just starting to move to the great outdoors. Below is a preview of some of our favorites - check out our Summertime list on the right for updates throughout the summer. 

Celebrate Brooklyn: (June 5-August 11) NYC's best outdoor music venue celebrates it's 40th year with another stellar lineup that kicks off with Chicago rapper (and Microsoft shill) Common on 6/5. Other free shows include Aimee Mann (6/21), Branford Marsalis (6/29), Kronos Quartet (7/14), and a stellar closing weekend with Godspeed YOU! Black Emperor (8/10) and The Breeders with Speedy Ortiz (8/11). Benefit shows this year include a killer double bill with Grizzly Bear and Spoon (6/20), The Decemberists with M. Ward (6/13), and Courtney Barnett with Julien Baker and Vagabon (7/25). 

Northside Festival (June 7-10): Northside is now a decade old, and the clubs will be jammed across Williamsburg and Bushwick with the latest in cutting edge music, alongside stalwarts such as Caspian, Deerhoof, and Liz Phair. Sunday afternoon brings a Block Party to Bedford Ave, with bands and vendors running all the way to Metropolitan Ave.

NY Philharmonic Concerts in the Parks (June 12-17): What were you doing when you were 11 years old? Well, if you're Jordan Millar and Camryn Cowan, you're having your music played by the New York Philharmonic at this year's parks concerts, courtesy of the Phil's Very Young Composers program. (They also play music by Bernstein, Saint-Saens, and Rimsky-Korsakov.) The Phil visits all five boroughs next week with conductor James Gaffigan; details here

SummerStage (June 2-September 27): This sprawling series returns with a wide spectrum of music performed in parks across all five boroughs, most of it free. Highlights include a Canada Day celebration headlined by Broken Social Scene (7/1), Afrobeat scion Femi Kuti and Positive Force (7/29), a New Orleans fest with Trombone Shorty, Galactic, and the Preservation Hall Jazz Band and (8/8), and Angelique Kidjo covering The Talking Heads (9/27).

Make Music New York (June 21): Celebrate the longest day of the year with this citywide musical happening, with performances on street corners, plazas and parks from sun-up to sundown.

Warm Up at MoMA PS1 (June 30-September 1): NYC's best tea dance enters its third decade at MoMA PS1, with an architectural installation featuring large-scale, interactive mirrors - and hopefully some misters. Tickets include museum admission. (LI City residents get in for free.)

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"Qyrq Qyz (Forty Girls)" at BAM

by Steven Pisano

20180323-DSC06949(All photos by Steven Pisano.)

The epic story of Gulayim, a teenage female warrior from Uzbekistan who banded 40 female warriors together to fight off invaders, resonates with today's headlines of women fighting back against male power, even though it tells a partly historical, partly mythic story from Central Asia that is centuries old. "Qyrq Qyz" (pronounced close to "kirk kiz") has been passed down by way of oral tradition to the present day, and it is said that almost everyone who lives in one of the "-stans" knows some version of it.

At the Brooklyn Academy of Music this weekend, sold-out audiences were treated to a contemporary telling of the story directed by Saodat Ismailovaa theater artist and filmmaker who has shuttled her work between Tashkent and Paris. With music composed by Dmitri Yanov-Yanovsky that combines traditional folk motifs from the region  with more modern ambient music, the production featured musicians on stage, playing traditional instruments and singing.

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"Africa Now!" at the Apollo Theater

by Steven Pisano

(All photos by Steven Pisano.)

DJ Black Coffee at Africa Now! at the Apollo TheaterThe sixth annual "Africa Now!" concert co-sponsored by the World Music Institute and the Apollo Theater was focused more on the electronic side of African music. The featured act in the first half brought together legendary drummer Tony Allen and techno wiz Jeff Mills, supported by keyboardist Jean-Philippe Dary. The Nigerian-born Allen is widely credited with establishing Afrobeat music back in the 1970s as part of Fela Kuti's band Africa '70. Paired with the Detroit-born Mills, the resulting set was a long improvisational groove that was at turns jazzy, Afrobeat, and techno - and always dreamy. A vibrant light show helped to engage the audience, since the musicians barely moved.

The second half of the show spotlighted the night's big draw, the internationally acclaimed DJ and record producer Black Coffee (Nkosinathi Innocent Maphumulo) from South Africa. The Apollo instantly changed from concert hall to dance club, with the entire house rising up from their seats and dancing. Basically it was house music with a South African flavor.

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Snarky Puppy and David Crosby Play Carnegie Hall

by Nick Stubblefield

Snarky_blog

It seems unconventional for the Brooklyn-based jazz collective Snarky Puppy to play at Carnegie Hall, but Snarky Puppy isn’t a conventional band. When I walked into Carnegie’s Stern Auditorium last week, an usher handed me a tie-dyed bandana embroidered with “The 60s: The Years that Changed America.” The night’s program was part of a concert series this year throughout New York that honors social justice and protest in America. With their history of frequent collaborations with artists from many musical and ethnic backgrounds, Snarky Puppy were the perfect hosts for an evening celebrating protest, peace, and unity.


Michael League, Snarky’s bandleader, chief composer, and bassist, stood front and center. The band, consisting of drums, a smorgasbord of auxiliary percussion, keyboards, guitar, and horns, managed to comfortably fill a stage mostly known for accommodating concert orchestras. The group’s musical style proudly defies classification. There were elements of bebop, Latin-American styles, and African-American gospel in the music, but Snarky’s purposeful blurring of musical boundaries is largely what defines the group’s sound. As the stylings and textures ebbed and flowed throughout their all-instrumental mini-set, there were ever-shifting variations in timbre that kept the music engaging. Multi-instrumentalist Justin Stanton alternated between a trumpet and a vintage Fender Rhodes, shredding equally skilled bebop-inspired jazz improvisations on each.

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