by Steven Pisano
To an English-speaking audience, the name Héloïse Letissier (le-TISS-ee-ay) was probably destined to drop to the bottom of the sea. But, reimagined as the semi-alliterative Christine and the Queens, Ms. Letissier has surfed across the Atlantic on a perfect wave of media hugs and kisses from Spin, The New Yorker, Pitchfork, and others, who have heralded not only her brightly appealing dance pop, but also her gender-bending persona, often dressing in men’s-style suits.
Touring this fall in support of Marina and the Diamonds, Christine and the Queens headlined the Grand Ballroom at Webster Hall on November 11, playing to a sold out audience including a sizable French-speaking contingent. Technically speaking, Christine and the Queens is not a group, but a solo project. But Ms. Letissier tours with others—in this case, two dancers, a guitarist, and a guy on keyboards and electronics. She likes to run back and forth on the stage, moving in a manner that reminds some people of Madonna-style vogueing.
Ms. Letissier is an extremely beguiling performer. She's a bit goofy, a bit romantic, screams, whimpers, and throws herself headlong into every song. In her own words, she is your weird cousin who sits at the end of the table during dinner, playing with her fork. Her English is flawless, which should help her bypass the resistance some Americans have toward Continental Europeans.