For anyone who cares at all about the living art of music, there is no more vital institution than the Kronos Quartet. Since their founding 41 years ago, this indefatigable quartet has commissioned more than 850 works and has performed more than 8,000 concerts around the globe.
Kronos is in NYC this week for a pair of shows, including Mary Koyoumdjian's Silent Cranes at Roulette tomorrow (5/12) - part of their Under 30 project - and a collaboration with the students of Face the Music - including a world premiere triple quartet by Danish composer Pelle Gudmundsen-Holmgreen - at the Queens New Music Festival on Wednesday (5/13).
Somewhere in between the Kronos Quartet's seven performances at the Big Ears Festival in Knoxville back in March, I had the chance to grab founder and artistic director David Harrington to talk a bit about Kronos' legacy, as well as some of the exciting things on the horizon. Chief among these is their ambitious Fifty for the Future project for Carnegie Hall, in which they will commission no fewer than fifty new works over the next five seasons. Excerpts from our conversation below.