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August 2011
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October 2011

September 2011

Bands and Circuses

Chicago 2011_033For as long as I can remember, there's been a strong connection between indie rock and the circus. First, there was the Siren Festival, located out in Coney Island next to the sideshows and with stage backdrops depicting elephants, clowns and tightrope walkers. Then, there's Devotchka, whose stage show includes aerialists and other amusements; at last year's CMJ, they headlined a mini-festival under the Big Apple Circus tent in Lincoln Center. Not to mention all those burlesque shows which weave live bands between performances.

The latest example of this curious synergy was last weekend's Brilliant Corners of Popular Amusements festival, which took place last weekend in Chicago's Eckhart Park, just west of I-90. Produced by the team behind the Pitchfork Music Festival, there were two large circus tents, an outdoor music stage, the Renegade Craft Fair, rides - and, or course, sideshows. The producers say they wanted to reinvent the traditions of Vaudeville for a 21st century audience, "a live mash up of art forms and entertainment under one umbrella." 

All of it was free, save for the mainstage tent which offered a stellar lineup including Dan Deacon, School of Seven Bells, and Shellac, among others. Unfortunately, I didn't get to see any of them, but when I stopped by on Sunday afternoon, there was a rock trio lighitng up the outdoor stage and the astonishing Zoppè family circus performing under the big top. Even though it was raining outside, everyone - families included - seemed to be having a great time. Lesson learned: always give your audience more than they expect, and they'll come back looking for more.

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More pics on the photo page. 

 


Raising the Bar

300_250_WEBFor those who haven't heard, local jazz stalwart WBGO is in the middle of their fall fundraiser, where they hope to raise enough money to pay for a new transmitter atop 4 Times Square, which should get all those good vibes down to each and every block of NYC. (The current transmitter sits atop a pole in Newark.) Go here for more info about the program, and to pledge.


Metropolis Ensemble: Renderings

DSC04826Metropolis Ensemble opened their season last night with a concert at the Angel Orensanz Center, featuring three brand new works that used older music as their starting off point. Ray Lustig's "Compose Thyself" was based on a Bach Cantata, while Timo Andres performed a startling new completion of Mozart's "Coronation" Piano Concerto (which he played himself.) For me, the most accessible and enjoyable piece was Vivian Fung's Violing Concerto, which was supposedly based on Balinese gamelan music, but also brought to mind both of John Adams' works for violin and orchestra: the Violin Concerto and The Dharma at Big Sur. A fresh, engaging way to start off the season.