For more than 40 years, Carnegie Hall has offered a series of free Neighborhood Concerts at theaters, libraries and community centers in all five boroughs. For many, these concerts - which run the gamut from classical, to jazz, to world music - are the only opportunity they have to hear some of the same world class music that graces the stage(s) of 57th and 7th on a nightly basis. 

Somehow, in all my years of NYC concertgoing, I've never managed to make it to one of these neighborhood concerts. Until last Sunday, when LA's Calder Quartet played a free show at the Brooklyn Central Library. The concert, which was held in the library's subterranean Dweck Center, drew a large crowd, obviously familiar with the Calder's reputation as one of this country's finest working quartets. (There was a bit of a snafu when most patrons showed up without seat reservations, but to Carnegie's credit, they were able to seat everyone who turned up.)

Unlike Calder's collaborations with Dirty Projectors' Dave Longstreth or Dan Deacon, this was a straight-up recital, featuring a trio of works that ranged from early 20th century to early 21st. Andrew Norman's melodic, pointillistic Sabina (2009) seemed to emerge from nowhere, slowly building in passionate intensity like the Roman sunrise that inspired it. 

An astonishing event last night at Carnegie Hall, with Daniele Gatti leading the Vienna Philharmonic in Brahms Symphonies No. 3 and 1 (in that order). More to come, but suffice to say these were among the most intense, passionate performances of these symphonies I've ever heard, rivaled only by Berlin's cycle five years ago.

More pics from last night's concert on the photo page. 

After last year's month-long Vienna: City of Dreams festival, I seriously considered sitting out this weekend's appearance by the Vienna Philharmonic at Carnegie Hall, where they've visited almost every year since the 1950's. I mean, isn't there such a thing as too much of a good thing, especially when this year's program consists of Brahms' four symphonies and the German Requiem? (yawn.)

No. Because it's Vienna. Because it's Vienna playing Brahms. Because these concerts are led by the extraordinary Daniele Gatti, soon to be the Chief Conductor of the Royal Concertgebouw Orchestra. Like Keats once said: "A thing of beauty is a joy forever." Go, especially if you've never been. 

Tickets still available for all three concerts, available at the box office and online.

• Tonight at 8pm - Brahms: Symphonies 1 & 3
• Saturday 2/28 at 8pm - Brahms: Symphonies 2 & 4
• Sunday 3/1 at 2pm - Brahms: Ein Deutsches Requiem