As one of NYC's leading contemporary classical and experimental music festivals, the MATA Festival was back in town last week for six nights of innovative works by composers from around the world. On average, the directors of the festival receive about 1,100 submissions each year, out of which only 25-30 are usually performed. And yet, the fact that the number of submissions, from over 70 countries,increases each year, speaks to the need for a forum for young composers to share their work.
MATA's focus is on work by early career composers, many of them in their 30s. This year's festival saw works from more than a dozen countries, including Israel, Argentina, Turkey, Hungary, and Iran, among others. To perform these works, MATA arranged for top flight performers and ensembles to come to New York, including Ensemble neoN (from Norway), Ensemble Linea (from France), and the Rhythm Method Quartet.
This year's offerings, although still "out there" in many respects, were much more unified in approach than the wildly divergent styles at last year's festival. With so many pieces performed over the week, in venues such as Scandinavia House, National Sawdust, and Dixon Place (not to mention an ice-breaker at the Paula Cooper Gallery), it is impossible to describe them all. Here are some highlights.