Unfortunately, I haven't had a chance to see most of this year's PROTOTYPE Festival of new opera, now in it's 6th year, but I did make it out to the Baruch Performing Arts Center last night for the world premiere of Mikael Karlsson's startling one-act The Echo Drift. Set in a prison in a dystopian future, it centers around a female prisoner (Blythe Gaissert) serving a life sentence in solitary confinement. She is visited there by a talking moth (John Kelly), who offers her a Faustian escape by abandoning her connection to time and space.
For a world premiere opera, The Echo Drift had a remarkably polished feel: from the industrial stage design (Elle Kunnos de Vos, who also wrote the libretto), to the Tron grid-like light projections (Simon Harding), to the always excellent International Contemporary Ensemble, which dispatched Karlsson's electro-acoustic score with total command. But, it was Gaissert who ran away with the show, with a fierce, defiant performance that grabbed my attention all the way in the back row. I'm sure we'll be seeing more of her on NY stages in the months and years to come.
More pics on the photo page.