by Nick Stubblefield
HereNowHear, the dynamic new-music piano duo of Andrew Zhou and Ryan McCullough, closed out Kettle Corn New Music’s sixth season at the DiMenna Center for Classical Music this past weekend. The young performers delighted a youthful and engaged crowd with contemporary classical and experimental works from established composers such as George Crumb, Steven Stucky and Luciano Berio, alongside brand new works from Kettle Corn personnel Emily Cooley and Loren Loiacono. Kettle Corn New Music, founded in 2012 in New York City, curates contemporary classical concerts while fostering an informal listening environment. The audience helped itself to beer, wine, and a bag of complimentary kettle corn as fresh as the music itself.
Cooley (b. 1990) opened the night’s program with Phoria (2015) for piano 4-hands. Cooley explained that "phoria" is a misalignment of the eyes: an analogy that became clear as Zhou and McCullough’s hands appeared to chase each other down the keyboard during passages that were not quite in alignment. Delicate chime-like chords in the high register gave way to playful melodies and polyrhythmic chord patterns.
Walter Zimmermann (b.1949) closed out the first half of the program with As a Wife Has A Cow: A Love Story, based on a text by Gertrude Stein. Extended techniques abounded as the performers strummed, muted, and tapped on the strings and frame of the piano, creating a wide variety of delightful and sometimes haunting timbres.