by Steven Pisano
The composer Mark-Anthony Turnage made his mark in London almost 20 years ago with his second opera, which was based on the Sean O'Casey play about Word War I, The Silver Tassie. He came more immediately to the attention of New York opera lovers five years ago with the splashy and sensationalistic Anna Nicole, based on the colorful true story of Anna Nicole Smith.
But Turnage's first opera, Greek, based on Steven Berkoff's play of the same name (which itself was based on the Sophocles drama) has never been seen in New York. Until now. The production now playing at the Brooklyn Academy of Music as part of the Next Wave Festival (with one cast change) is the same Scottish Opera production that played earlier this year in Glasgow, and before that at the Edinburgh Festival, to glowing reviews.
It is always interesting to see the early work of artists who have gone on to produce larger and more mature works, and Greek is no exception. Written in 1988 during the years of Margaret Thatcher's tumultuous governance in Britain, there is a strong political undercurrent to the story, and thirty years on, none of it sounds dated in today's tedentious political climate.