by Steven Pisano
The composer Robert Ashley's opera Improvement (Don Leaves Linda) is an interesting case as an opera because it was not conceived traditionally as a work of theater with music, to be presented live on a stage, but as a sonic production, to be presented as a recording. There are characters, yes. There is a story (of sorts), yes. But the beauty of the work--and the beauty is often quite extraordinary--is in the sound, particularly of the voices.
In the new production of this late 1980s work now playing at The Kitchen, produced by Mimi Johnson, Ashley's widow, the central defining voice is the smooth, sinewy instrument of Gelsey Bell, who has been a notable presence on the new music scene for many years. She is perfectly cast to deliver Linda's low-key West Coast-inflected torrent of words about her life. Bell has appeared in other Ashley works before, including the TV opera Perfect Lives (with the group Varispeed, which has championed Ashley's work on several fronts) and one of his last works, Crash.