Ok, being stuck at home sucks, but at least we have modern technology to get us through the day. And no, I don't mean bingeing Tiger King. There is a ton of great, free music streaming online, too much to list here. NPR Music has a great running tally here, which I use as my basic go-to guide. Below are some highlights (all times EDT).

Opera: Just yesterday, I watched John Adams conduct his own Nixon at China at the Met Opera, one of the Met's daily free live streams. Today's opera, Bizet's Pearl Fishers, will be available until tomorrow night. (Pro tip: as long as you start watching before 6:30pm, you can pause it and resume at some later point.) Among other opera companies, the Vienna State Opera is currently streaming Mozart's Marriage of Figaro. Meanwhile, the Met Museum is sharing their recent performance of Gertrude Stein and Virgil Thompson's The Mother of Us All at 7pm.

Classical: The Berlin Philharmonic continues to make its entire archive of high quality digital streams available for free. Closer to home, the NY Phil is offering select videos of past concerts here. 

Jazz: Fred Hersch has been doing a daily stream on Facebook every day at 1pm. At 7pm, Chick Corea is playing as part of the Live from Our Living Rooms festival, followed by Fabian Almazan and Linda Oh. At 8pm, Lizz Wright appears courtesy of SF Jazz (this one costs $5 for a 1-moth membership.) And, Christian McBride hosts a listening party at Jazz House Kids with Dee Dee Bridgewater, Cecile McLorin and Melissa Walker.

Lots of streaming shows from the rock, roots and experimental worlds listed here and elsewhere. 

"How do you keep the music playing?
How do you make it last?
How do you keep the song from fading
Too fast?"

- Alan and Marilyn Bergman, "How Do You Keep the Music Playing?"

Monday nights are usually quiet in New York: Broadway is shut, museums and galleries are closed, jazz clubs are either dark or have a house band playing. But, this Monday is different: there is no music, no art, no activity to be seen anywhere. Life as we know it has shut down for an unknowable period of time, thanks to this horrible, contagious, deadly coronavirus that has spread unchecked throughout the city, and around the world. Everything is on Pause.

Art and culture certainly come second to health and welfare, but looking at the impact COVID-19 is having just on music in New York City shows just how extraordinary and unprecedented a moment this is. As of today, both the Met and the Phil have canceled the remainder of their seasons, and the loss of income from ticket sales (estimated in the tens of millions of dollars) is compounded by the impact the concurrent stock market crash has had on their endowments. Carnegie and BAM and the Met Museum will try to reopen in May, but I wouldn't bank on it. All that planning, all those sets, all those bookings made years in advance - gone.  

Of course, these are major institutions with the resources to continue providing their employees with full benefits, if not at least partial pay. They should survive (I think.) But, what about all of the independent musicians: the new music peeps, the jazz players, the indie rockers, the bluegrass and old time fiddlers? Most of them get paid by the gig, and have little, if any safety net.

What about the clubs? Blue Note and the Vanguard aren't going anywhere, but what about Smalls or Smoke? I'm sure Bowery will be fine, but what about the standalone places, like LPR or Elsewhere, not to mention the dozens and dozens of bars that showcase live music on a nightly basis? I assume the better-capitalized new music venues like National Sawdust and Roulette are ok, while others can probably just go into hibernation and come out fine on the other side of this. 

Hopefully, this thing will blow over before long (though probably not as soon as some irresponsible leaders would like) and we'll all be back to gigging with a beer or two. In the meantime, go stream some opera, symphonies, or random bedroom gigs. And remember what live music brings to your life, now that we don't have it. Stay safe, and remember to wash your hands.

by Steven Pisano

(All photos by Steven Pisano.)

The Lincoln Center Out of Doors season ends each year with the "Roots of American Music Weekend: Americanafest," sponsored by the Americana Music Association. Saturday night's concert featured Patty Griffin, a folk singer originally from Maine now living in Texas, and Yola, an emerging country-soul singer from Bristol, UK.

Griffin has been recording for over 20 years, and her 10th album, the self-released Patty Griffin, came out in March. For those unfamiliar with Griffin, the closest comparison I can make is Emmylou Harris, but that comparison only goes so far. There are strong undercurrents in Griffin's music that derive from traditional Irish and Scottish music, and even when her lyrics aren't overtly religious, there's a gospel truth to many of her songs. Indeed, she's been nominated four times for a Best Folk Album Grammy Award and has never won; she's won two Grammys in the Gospel category.

Griffin and her small but resourceful backing band played a long set that satisfied fans and won over new converts, on one of the most gorgeous nights of the summer. If only New York weather could always be like this! She got the crowd on her side early on with "Boys from Tralee" from the new album, about Irish immigrants who were able to find safe haven and a new life in America - a non-oblique reference to the immigration crisis on the U.S. southern border.

Other songs touched on her recent battle with breast cancer and other goings-on tangentially from her life, but Griffin is not a purely autobiographical singer like many folk singer-songwriters. Instead, she finds universal truth in her own experience, which is why people feel such an affinity for her music.